Philosateleian Post to mark anniversary of end of World War II
Next year is the 75th anniversary of the end of World War II. Historians estimate that as many as 85 million people died during that conflict due to warfare, or to disease or famine directly related to the war. To commemorate the end of the deadliest conflict in human history, Philosateleian Post will issue a special stamp on World Local Post Day, January 27, 2020.
The design of this 1-stamp stamp is based on an original photo that I took titled From the Ashes, Peace. The single yellow flower standing out against a background of brown flowers is symbolic of the blossoming of peace, however fragile, in the aftermath of World War II. The stamp also bears the text “World Local Post Day 2020” and “remembering the 75th anniversary of the end of World War II.”
Members of the Local Post Collectors Society earlier this fall voted to select the 75th anniversary of the end of World War II as the official topic for World Local Post Day 2020. Philosateleian Post is participating in that annual event with the release of this stamp.
Format: sheets of 36 (6×6). Design size: 36×28 mm. Separation method: perforated 12. Adhesive: water-activated dry gum. Printing method: inkjet.
To receive a mint single of Philosateleian Post’s End of World War II stamp, or for first day cover service, send either $2 or a self-addressed stamped envelope and your request to:
PO Box 17544
San Antonio TX 78217-0544
United States of America
December 2019 mailing contains new Boys Town bird cinderellas
Boys Town’s newest addition to its ongoing run of business reply envelopes bearing stamp-sized labels or preprinted images thereof is now a part of my growing collection of such material. The envelope shown here was in a mailing waiting on me when I checked my post office box over the weekend following the Thanksgiving holiday.
A close-up reveals that the three cinderellas depict a cardinal, a bluebird, and a thrush. Washington state artist Jane Shasky’s name is just barely visible in script near the bottom of each label; the Licensing page on Shasky’s website lists Boys Town among the companies and organizations that use her work.
It is still a bit puzzling to me that Boys Town is not placing its own name on these labels; it seems like it would be a great advertising tool. On the other hand, since their hope is no doubt that these envelopes will be returned with donations, and since the vast majority of those that aren’t probably end up in the trash, perhaps they see no point in bothering, or perhaps no one has even given it that much thought. At any rate, I’m happy to keep adding these pieces to my collection.
Purgatory Post got its December 2019 stamp issue out the door a few days early. The new 6-sola stamp placed into use on November 25 pictures a mural painted on the wall of the Milford, New Hampshire, post office. The mural, painted in 1940 by Philip von Saltza, depicts a group of loggers.
“I think it’s a bit unusual they chose a logging scene for Milford since we never had a big lumber industry here,” writes Purgatory Post operator Scott Abbot, “but I think the traveling artists had a number of designs prepared and felt it fit the character of the town.”
Beginning in 1933, the U.S. Department of the Treasury paid artists to paint murals in post offices and public buildings in every state. The program ended in 1943 during the middle of World War II.
The United States Postal Service earlier this year issued a set of five stamps depicting post office murals from around the country, but not the one in Milford. I think Purgatory Post’s new stamp strikes a nice balance between local relevance (Purgatory Post is based in Milford) and popular appeal, which I know from experience is not always an easy accomplishment for a modern local post.